I’ll read alongside Besty Scholl, Emma Dawson-Webb, Lulu Rasor, and another poet TBA as part of The Poets’ Corner. The reading is scheduled for 4-5:30 p.m. US Eastern time and happens online. Information via their website.
Author: Eireann
THE CENTURY forthcoming 13 October 2020
My third collection, The Century, will be out from Milkweed in mid-October. You can preorder it already. The code LORSUNG will get you free shipping if you order it from Milkweed’s site. Mark Austin Speaker did the book design; the cover is an image of the town of Dixmuide in Belgium during the war.

From Milkweed’s copy about the book: “In the tradition of witness poetry, The Century tugs apart the quotidian horrors required to perpetuate acts of violence like the Holocaust, the deployment of nuclear weapons in Japan and Iraq, American slavery and its lingering aftermath. When Éireann Lorsung writes of death and dying, of “bodies in the fields becoming the fields,” it’s the simplicity that’s most haunting. After a fire, “some of their skin moved off of them as they ran, a very / simple melting…” But these poems don’t just witness; they also resist and serve as models for resistant lives. Pushing back against form and grammar, constructions of time and geography, Lorsung traces decades of technological, geopolitical, and cultural shifts through generations and across continents as networks of dominance continue to be stubbornly upheld.”
Reading at Waking Windows, Portland ME
I’m reading as part of the Pageburner events in Waking Windows on September 22. Details here.
“Ruth” in WRETCHED STRANGERS
A poem called “Ruth” will be in an anthology from Boiler House Press (UK, University of East Anglia) later in 2018. So grateful to JT Welsch and Ágnes Lehóczky for the invitation to be part of this—it’s nice to feel a little remnant belonging to the UK poetry (and migrating poetry) world.
Two poems forthcoming in GRIST
“Pastoral vocabulary, interwar” will be in an upcoming print issue of Grist, and “Point of origin” will be in an online issue of the same journal. Thanks to the thoughtful and incisive editors there for their comments on the poems.